zegalba:

荒木経惟月刊。さとう珠緒 (2004)

abstrakshun:

Richard Whadcock (British, b.1967)

equatorjournal:

tundra swans, 1980s.

amalgammaray:

Larry Krone, Then and Now (Circles: Coreopsis Moonbeams, Irises, Poppies, Forest Road), 2016, sequins on found embroidery projects, fabric, embroidery floss, 25 x 25"

freelancedumbass:

distantvoices:

Seungchan Lee, Yoon Young Bae For Marie Claire Korea September 2020

slam-modern:

Male Torso, Spirit of the Dance, attributed to Jean-Baptiste Carpeaux, French, 1827–1875, c.1870–75, Saint Louis Art Museum: Modern and Contemporary Art

https://www.slam.org/collection/objects/33970/

yakubgodgave:

Christian Lacroix S/S 1998

abstracteddistractions:

Yves Klein, Sculpture éponge bleue sans titre (SE 284), 1959,

Dry pigment and synthetic resin on natural sponge, metal stem and stone base

Height (including stone base): 25in. (63.5cm.)

Diameter (sponge): 15in. (38.1cm.)

Chrisrie’s

abstrakshun:

Lin Hong-Wen (Taiwanese, b.1961)

nervespike:

takaoka

centuriespast:

Tsistsistas/Suhtai (Cheyenne) artist, Cradleboard, c.1890; Great Plains, United States; tanned hide, rawhide, glass seed beads, cotton cloth, silk, wood, metal tacks, and metal bells; 44 × 13 ½ × 11 inches; Saint Louis Art Museum

aswiya:

CAMBODIA. Phnom Penh. 1995. 

Hiroji Kubota

thevintagearab:

شارة الإستراحة في #التلفزيون_السوري عام 1960 Intermission ad on #Syrian_TV in 1960 by Syrian History